Henry Fielding undoubtedly holds moral views far-ahead of his times. Morality is an approval or adherence to principles that govern ethical and virtuous conduct.
Fielding was accused of being immoral in his novels. Dr. Johnson called his novels “vicious and corrupting”. Richardson echoed the “charge of immorality” against him. Modern critics, however, has justified Fielding and gave him a credit of “an estimable ethical code”. Strachey declared him a “deep, accurate, scientific moralist”. Indeed neither “Joseph Andrews” nor “Tom Jones” strikes the modern sensibility as ‘low’ or ‘immoral’ either in purpose or in narration. Behind the truthful portrait of life, lies his broad moral vision. His aim was to correct mankind by pointing out their blunders.
“I have endeavored to laugh at mankind,
out to their follies and vices.”
Fielding reacted sharply against the code of ethics as incited by Richardson in “Pamela”. He feels that Pamela’s virtue is an affectation and a commodity, exchangeable for material benefits. Virtue cannot and should not be to chastity alone. Mere external respectability is not morality. For Fielding:
“Chastity without goodness of heart is without value.”
A truly virtuous man is disregardful of material benefits. He is devoid of an affectation.
He finds:
“A delight in the happiness of mankind and a concern at their misery, with a desire, as much as possible, to procure the former and avert the latter …”
Fielding reacted sharply against the code of ethics as incited by Richardson in “Pamela”. He feels that Pamela’s virtue is an affectation and a commodity, exchangeable for material benefits. Virtue cannot and should not be to chastity alone. Mere external respectability is not morality. For Fielding:
“Chastity without goodness of heart is without value.”
A truly virtuous man is disregardful of material benefits. He is devoid of an affectation.
He finds:
“A delight in the happiness of mankind and a concern at their misery, with a desire, as much as possible, to procure the former and avert the latter …”
Fielding’s moral vision
is much wider that Richardson’s. Morality is no longer equated with chastity or
outward decorum. It is broad enough to include every aspect of human behaviour.
One’s intentions, instincts, motives are equally important in judging a man.
In “Joseph Andrews” we are confronted with a chameleonic society that quickly changes its appearance to gratify personal lusts. Fielding’s aim was to show human beings camuoflaged in various shades of vanity and hypocrisy and it is done ruthlessly and wittily in “Joseph Andrews”.
The stage-coach scene is perhaps the best illustration of Fielding’s concept of morality. In it we are confronted the haughty passengers which are all models of hypocrisy. The coachman simply bids the postillion to "Go on, Sirrah, we are confounded late”. The lady reacts in a contemptible manner: "O Jesus, a naked Man! Dear Coachman, drive on". The old gentleman deems: "Let us make all the haste imaginable, or we shall be robbed too".In addition there a lawyer who “wished they had past by without taking any notice", although his final advice is “to save the poor creature's life, for their own sakes”. At last, it is the postillion, " who hath been since transported for robbing a hen-roost, voluntarily strips off a great coat, his only garment" and swears that he would rather remain in a shirt than "suffer a fellow-creature to lie in so miserable a condition". Here Fielding shows the contrast between the attitude of the rich passengers and that of the poor Postillion. What sets him apart is not his class, but the fact that he alone dismisses his own comfort and he is the only person who considers Joseph a "fellow-creature" worthy of such rescue. Fielding emphatically declares: "High People" are "People of Fashion", but that they are not "higher in their Dimensions" nor in "their Characters" The journey undertaken by Joseph and Parson Adams reveals vanity or hypocrisy at every stage.
It is significant that Parson Adams jumps with joy at the reunion of Fanny and Joseph. It reflects an ability to sympathize with other’s feelings. Simple, kind, generous and courageous, Adams is the epitome of true feeling and goodness of heart which is a vital aspect of Fielding’s concept of morality. Adams’ impulses always prompt him to help anyone in distress. He saves Fanny’s virginity two times.
“He is an innocent … so completely sincere in his beliefs and actions that he can’t imagine insincerity in other; he takes everyone he meets at face-value”.
In “Joseph Andrews” we are confronted with a chameleonic society that quickly changes its appearance to gratify personal lusts. Fielding’s aim was to show human beings camuoflaged in various shades of vanity and hypocrisy and it is done ruthlessly and wittily in “Joseph Andrews”.
The stage-coach scene is perhaps the best illustration of Fielding’s concept of morality. In it we are confronted the haughty passengers which are all models of hypocrisy. The coachman simply bids the postillion to "Go on, Sirrah, we are confounded late”. The lady reacts in a contemptible manner: "O Jesus, a naked Man! Dear Coachman, drive on". The old gentleman deems: "Let us make all the haste imaginable, or we shall be robbed too".In addition there a lawyer who “wished they had past by without taking any notice", although his final advice is “to save the poor creature's life, for their own sakes”. At last, it is the postillion, " who hath been since transported for robbing a hen-roost, voluntarily strips off a great coat, his only garment" and swears that he would rather remain in a shirt than "suffer a fellow-creature to lie in so miserable a condition". Here Fielding shows the contrast between the attitude of the rich passengers and that of the poor Postillion. What sets him apart is not his class, but the fact that he alone dismisses his own comfort and he is the only person who considers Joseph a "fellow-creature" worthy of such rescue. Fielding emphatically declares: "High People" are "People of Fashion", but that they are not "higher in their Dimensions" nor in "their Characters" The journey undertaken by Joseph and Parson Adams reveals vanity or hypocrisy at every stage.
It is significant that Parson Adams jumps with joy at the reunion of Fanny and Joseph. It reflects an ability to sympathize with other’s feelings. Simple, kind, generous and courageous, Adams is the epitome of true feeling and goodness of heart which is a vital aspect of Fielding’s concept of morality. Adams’ impulses always prompt him to help anyone in distress. He saves Fanny’s virginity two times.
“He is an innocent … so completely sincere in his beliefs and actions that he can’t imagine insincerity in other; he takes everyone he meets at face-value”.
Kindness achieved supreme
importance in Fielding’s moral code. A good and a moral man takes joy in
helping others. Fielding says: “I don’t know a better definition of
virtue, than it is a delight in doing good.” Fielding is as liberal in
ridiculing affectation as he is hard on the lack of charity. Adams’ definition: “A generously disposition to receive
the poor”, is the simple test employed to men by Fielding to check the capability of charity. When Parson
Adams asks for some shillings to Parson Trulliber, he declares in frenzy: “I know what charity is better than to
give it to vagabonds.” This shows 18th century’s
clergy’s degeneracy, who is reluctant to give some shillings. The rich Parson
Tulliber, Mrs. Tow-wouse, Lady Booby and Peter Pounce lacks natural kindness
whereas the poor postilion, Betty and Pedler are true Christians, for they are
ready to help other man in distress asking nothing in return. But Mrs. Tow-wouse
scornfully declares: “Common charity my foot.”
Fielding is against the
prudish morality which considers sex as an unhealthy and dangerous for human
life. He favours a healthy attitude towards sex. But he does not approve of
Lady Booby’s desire for Joseph nor does he favour Mr. Slipslop’s extreme whims.
But Betty’s desires spring from a natural heart and feeling. It is worth
noticing that Betty is free of hypocrisy. She acts as ordered by her nature. “She is good-natured generosity and
composition.”
Summing up, Fielding’s
concept of morality is realistic, tolerant, broad and fairly flexible. Modern
opinion has vindicated the moral vision of Fielding as healthy, wide and
practical.