The
problem of madness is perhaps the most maddening problem in Hamlet. Some
critics are of the view that Hamlet is sane throughout but feigns insanity. Others
hold the opinion that Hamlet’s madness is less than madness and more than
feigned.
Before the play begins Hamlet is clearly a
sensitive and idealistic young man. He is a scholar, a philosopher, and a poet too,
who conceives the finest thoughts and exhibits great intellectual quality. We
get a vivid picture of Hamlet as he was in the words of Ophelia:
“The courtier’s, soldier’s, scholar’s, eye, tongue, sword/Th’ expectancy and rose of the fair state/The glass of fashion, and the mould of form/Th’ observed of all observes”
This shows that Hamlet was once a master of his own self and had full command over his mind and sense. But as the play proceeds we can find the traces of madness in him. After his mother’s hasty marriage and the Ghost’s revelation, Hamlet’s “noble and most sovereign reason” is all “out of tune and harsh”.
“The courtier’s, soldier’s, scholar’s, eye, tongue, sword/Th’ expectancy and rose of the fair state/The glass of fashion, and the mould of form/Th’ observed of all observes”
This shows that Hamlet was once a master of his own self and had full command over his mind and sense. But as the play proceeds we can find the traces of madness in him. After his mother’s hasty marriage and the Ghost’s revelation, Hamlet’s “noble and most sovereign reason” is all “out of tune and harsh”.
Some critics are of the opinion that under the pressure of these two
circumstances – his mother’s hasty marriage ,and the Ghost’s revelation –
Hamlet lost his reason. We tend to agree with “Deighton” when he says:
“In every single
instance in which Hamlet’s madness is manifested, he has good reason for assuming that madness: while, on the other hand , whenever there was
no need to hoodwink anyone, his thought, language and action, bear no resemblance
to unsoundness of intellect”
He talks rationally and shows great intellectual power in his conversations with Horatio. He receives the players with kind courtesy and his refinement of behaviour towards them shows that he is not mad.
He talks rationally and shows great intellectual power in his conversations with Horatio. He receives the players with kind courtesy and his refinement of behaviour towards them shows that he is not mad.
In the first act we are told by Hamlet himself that he is going to feign
madness to carry out his entrusted task of avenging his father’s murder. “I perchance hereafter shall think meet/To
put an antic disposition on.”
In his talk with Polonius, where he calls him a “ fishmonger” and insults him further with the satirical remark, “O Jephtha, Judge of Israel” ,
Polonius observes: “Though this be madness/Yet there is
method in it.
When Polonius wants to pluck out some information from him, Hamlet distracts him
by his witty remark, “Do you see
yonder cloud that’s almost in the shape of a camel?”
However,
as he is a fool by nature he is easily deceived by Hamlet’s feigned madness and
comments: “How pregnant sometimes his replies
are!”
Then
there is Claudius, the shrewd man, who suspects the authenticity of Hamlet’s
madness. When Polonius reveals the ‘very ecstasy of love’ as the cause of his
madness, Claudius after observing Hamlet closely comments: “Love? His affections do not that way
tend/Nor what he spake, though it lacked form a little/Was not like madness.”
So Claudius strongly suspects, as we all do, that Hamlet’s madness is feigned and not real. Nevertheless he remarks: “Madness in great one’s must not unwatched go.”
So Claudius strongly suspects, as we all do, that Hamlet’s madness is feigned and not real. Nevertheless he remarks: “Madness in great one’s must not unwatched go.”
Gertrude,
the Queen mother of Hamlet though not believes in Polonius’ version of Hamlet’s
madness, she too suspects that Hamlet is insane. After the ghost’s second
appearance in the closet scene she is truly amazed at Hamlet’s actions. She
exclaims with wonder: “How is it with
you/That you bend your eye on vacancy/And with the incorporal air do hold discourse?”
Hamlet
upon her amazement reveals truth to her: “I essentially am not
in madness/But mad in craft.”
The
next to suspect the real nature of his madness is his own school fellows
Guildenstern and Rosencrantz. Guildenstern finds crafty madness in him and
Hamlet himself reveals the truth to them:
“I am but mad
north-north west/When the wind is southerly/I know a hawk from a handsaw”
He tells Guildenstern that he cannot make him a “wholesome answer”, as his “wits are diseased”, and it is of no use if he expected to “ pluck out the heart of his mystery/ And sound him from the lowest note to the top of his compass.” When Rosencrantz is unable to comprehend his witty remarks, Hamlet simply states:
He tells Guildenstern that he cannot make him a “wholesome answer”, as his “wits are diseased”, and it is of no use if he expected to “ pluck out the heart of his mystery/ And sound him from the lowest note to the top of his compass.” When Rosencrantz is unable to comprehend his witty remarks, Hamlet simply states:
“A knavish speech
sleeps in a foolish ear.”
Hamlet enacts the ‘Mousetrap’ play to confirm Claudius’ guilt. This does not
sound like a mad man’s action. Only a man of wisdom could plan everything
systematically and arrive at the expected conclusion. Harley Granville Barker
points out:
“When he is alone, we have the truth of him , but it is his madness which is on public exhibition”
“When he is alone, we have the truth of him , but it is his madness which is on public exhibition”
When
Hamlet confronts Ophelia in Act-III, his rational thoughts slip away and he
curses and bashes her: “If thou dost
marry I’ll give thee this plague for thy dowry/Be thou as chaste as ice, as
pure as snow, thou shalt not escape calumny/Get thee to a nunnery.”
He
lashes out at her calling her two-faced: God has given you one face and you make
yourselves another”. The poor Ophelia is no judge of Hamlet’s crafty
madness and regretfully comments: “O,
What a noble mind is here overthrown.” He curses herself who has “sucked the honey of his music vows.”
One
can trace the glimpses of the true insanity in Hamlet’s actions. For example his
actions of rushing headlong towards a beckoning ghost, rashly running his rapier
through Polonius without seeing him, speaking to Yorick’s skull, and leaping
into Ophelia’s grave to grapple with Laertes hardly fit the description of one
within the control of his senses.
We
can sum up above discussion in the words of Bradley:
"Hamlet is not
mad, he is fully responsible for his actions. But he suffers from melancholia a
pathological state which may develop into lunacy. His melancholy accounts for
his nervous excitability, his longing for death, his irresolution and delay.”